Secret of Anubis - Ancient Astronomy
Behold, the Secrets of Ancient Egypt, the land that the universe created when the cosmos made the Nile. As the Queen of the constellations raised herself above the two horizons and declared her name as Sirius, so did the jubilation of life occur, meanwhile her husband the constellation of Orion stands guard by her.

The articles that you find here, investigates all the mysteries that lies hidden in the ancient desert sand, specifically their spiritual nature which began among the stars.

While I worked in Egypt I quickly saw something more than the guides would talk about.
Like I would say to my guests before entering a temple, "I can give you the regular guide story, which last 40 min, and then you can walk around by yourself? Or..."

"I can give you everything I've got, meaning I will tell you the details, and anything you point to, I will explain. I will use up all of your time, and still have a lot to say. the choice is yours".
- Guess which one they picked, always :)

You could say that this blog is based on that concept, of giving you everything I've got, on what ever topic from this ancient land.

Mysterious objects, that either moves or sings, are studied in more detail. I can guarantee you a journey which you haven't seen before, from below the ground to up among the stars.

The Pyramid builders that left empty sarcophagus and a knowledge which no one have been able to imitate since...
A peculiar and mysterious thing, is also the fact that what we have from the Pyramid Builders are in stone not papyrus manuscripts. Their spiritual belief was written into the stones.

The mysteries of Edgar Cayce are also looked into, as well as the case of the Emerald tablets.

Furthermore you have a unique opportunity to read more about individual stars and constellations of ancient Egypt, known under the name of the Decans.

This blog goes extensively into different subjects from this holy land, and takes you on a real as well as truthful journey into the magical land of the great ancient Egyptians.

The Emerald tablets articles can be found under the label Hermes Trismegitus, there are more than one article about each subject, and it is for that reason that they are arranged into label categories.

You can also use the list below, turning the pages to see illustrating images of each article.
Showing posts with label Mysterious Objects. Show all posts
By Karima Lachtane

Moving statue at Manchester Museum

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Moving statue at Manchester Museum

At night and day, at the Manchester Museum, 
things do seem to move... 

A curtain 10' inch ancient Egyptian statue, 
starts to rotate 180 degrees in it's place...

Watch the Video Of the Ancient Egyptian statue Below

• The Moving statue at Manchester Museum
• Speculations
• Facts
• The Singing Colossi of Menon

This story has been posted on the Daily mail as well as the Huffingtonpost, and it is indeed a interesting story.

The article posted on different news networks, try to move the story in a rather mysterious direction. Some referring to the curse of Tutankhamon, news gets a little bit out of hand with he fictional description in between the actual facts. 

At the Manchester museum a small statue had been standing in its place for 80 years, from the time that it was donated to the museum, until very recently, where it was moved into a glass monitor.

Suddenly people noticed that the statue had turned, and as the days passed it would turn even more... Everything from TV physicist and the curator Mr. Campbell Price placed a time lapse camera, to record the statue moving.

Some claim that it only moves in the day hours and it only turns 180 degrees...

The Manchester Museum, Video


Speculations

Some believe there is a scientific explanation for this...
While other believe that there is a spiritual explanation to it...


Fatcs

It is said to be a small statue of an ancient Egyptian named Neb-Senu, it is also said that it is an offering to the great god of the underworld, Osiris. 

It dates back to around 1800 B.C. which would mean that Neb-Senu died in the time of pharaoh Amenemhet III ruler ship which was between 1842-1797 B.C. 

This makes this relic very old, dating back to the 12 Dynasty, before Ramesses II, before Tuthmosis I, and further back. Very old.

On the back of the statue is a prayer asking for bread and beer in the underworld.


I like to dig a little deeper, but it is not easy to dig that much deeper, if the only thing you have is a small statue locked in a glass case..


But I can look at his Name, and see where this might lead me.

What does Neb-Senu Mean?


very superficial, the Word Senu, was incorporated into many pharaohs names. The pharaoh that ruled before Amenemhet II, was a king named Senusret III (1878-1841 B.C).

The word Neb, was used a lot in ancient Egypt. It means everything from good to bad. The word Neb was both used to describe an enemy in some context, but there was also a Grain God called Neb. I would think that this name of Neb belonged to the Grain section of the word. If he was a farmer, then it would be very fitting.

The word Senu is also interesting considering that Neb-Senu is seen as a name of the person, that this statue was dedicated to. 

The word Senu, means Gods. So if we put it together Neb-Senu means Grain-Gods. This off course opens up for the possibility, that it was not the person's name, but maybe the God that the offering was for. 

When we consider the prayer for bread and beer, then it is indeed something that you would pray to the Grain Gods for, because in ancient Egypt the Beer was also made from Grain, so both would go under the Grain-Gods.


These two pharaohs that I have mentioned here, are
Pyramid Builders.
On another note.

The Singing Colossi of Menon


I just have to share this with you. 

The ancient Egyptians ability to work the lands material, is remarkable. Everything from the sandstone block to granite blocks all way to manipulating with the earths strongest material, known as deriot.

On the way to the Valley of the Kings, people usually stop to see the gigantic Menon statues. People stop up for 5 min and take their pictures, and I have not seen one person notice the real architectural construction of these statues.


They go beyond what meets the eye...

What people are missing when they only spend 5 min there, is the real beauty of its creation. They build these colossi's in such a magnificent way, that when the winds hits from certain angles, a musical sound is created hereby making the statues sing in more beautiful notes than normal. 

It was said in the older days, that these great colossi's of Menon would sing towards the two horizons.

One should not underestimate the ability of our most ancient ancestors, for they have proven time and time again, that they were able to construct these gigantic monuments, and they also stand the real test of time itself.

We can't say that today...
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By Karima Lachtane

The Helicopter Hieroglyphic symbol

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Ahhh... It's a bird.... AHHHH... It's a plane... AHHHHHH it's an Alian !!!

The Helicopter Hieroglyphic symbols

Behold Abydos Temple, Where Osiris Dweels.


You have probably seen these very fascinating hieroglyphics on the internet, many people have added a theory about alien encounters in ancient day. 

On my birthday this year, I choose to go to the ancient Temple known as Abydos Temple

As I was walking around, one old Egyptian man came over to me and pointed the hieroglyphic out, I quickly hit the 'shoot' button on my camera.

This is a short post about what I saw. 
Is there really proof of alien encounters in ancient days?

"Behold the Temple of a million years, where Death dwells"


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By Karima Lachtane

Wishing Cup from Tutankhamen's tomb

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The Wishing Cup from Ancient Egypt


Have you ever heard of the wishing cup that was found in Tutankhamen's tomb? 

The cup is really a perfect representation of what the object stands for, and it might prove to come from another place...
The Wishing cup from Tutankhamens tomb.


          • The Chalices description.          

          • Translation of the ancient text upon the cup.        
          • Did the wishing cup belong to Tutankhamen?

These are the 3 questions that this short article post will analyze.

The Cup's Description,


The artistic hands that formed this chalice  was truly a great artist of their time (?).
Carter chose to call it the Wishing cup, because the chalice bears the inscription of a wish or a prayer.

The Wishing cup can be found in the Cairo museum in room 20, which is the room where you find the things found in the tomb of Tutankhamen. It is carved alabaster and has a height of 18.3 CM. It is beautifully carved with hieroglyphs that are painted with blue color.

Translation of the ancient text on the chalice.


I find the translation very interesting, and it makes me more sure, that there is probably more to this relic and where it might come from...

Translation of the Rim:


"Live, thy Ka, and mayst thou spend millions of years, thou lover or Thebes, sitting with thy face to the north wind, and thy eyes beholding felicity."
Translation by carter          
The person that found the Tomb of Tutankhamen          


"May your Ka live for ever, may you, who love Thebes, spend millions of years with your face to the north wind, and may your eyes see joy."
Translation found in          
The illustrated guide to the Egyptian museum in Cairo.          

Translation of the front part of the Wishing cup


What I found here seems more complex than I can explain in a blog post, but I will give you some hints. First off as I have said before, all hieroglyphic can be translated much further than what is normally done or shared.

One version
"Amun-Ra, Lord of the world, Lord of the thrones of the two lands, the two horizons of east and west, Lord of heaven beloved king of upper and lower 
Egypt Nedukheper-Ra, give life, to the son of Ra Amun-tut-ankh, everlasting"

Translation by me.          

Interpretation of the Wishing cup


Every aspect of this chalice is filled with a sense of timelessness. From the chalices elegant Lotus shape to the cups handles themselves, it is a true masterpiece.

The handles are made up by different numeral symbols as well as centering on a timeless mythology from ancient Egypt.

The sitting man is central, and his name is Heh and he stands for 1,000,000. Not only should he be seen as a number, but he is also essential to the cosmos mythology, being one of the eight pillars that hold up the heaven. You should not see this as a person, or a personification of such, because it is more like an idea/ a concept which belongs to the concepts of time, which is not a factual calculation which we tend to judge it today.

You are right, this is pretty complex and cannot be fully explained in a blog or on a website, but I can allude to it ;)

Did the wishing cup belong to Tutankhamen?

It is well known that a lot of the things that were found in Tutankhamen's tomb, did not belong to him. It is also widely known that the tomb was robbed in ancient times.

With this is mind, we find some very unusually and beautifully made alabaster things, which have always made me wonder.. When I first heard that, way back, my first thought was: If the tomb had been robbed, then why is there still a lot of gold which could easily have been carried out.
The answer to this is pretty simple, they filled up the tomb with other peoples belongings. This also explains another question which bugged me back in the days.

Seti I one of the greatest kings (pharaohs) of his time, and after. His body is on display in the Cairo museum, and his alabaster sarcophagi (coffin) is found in England (I really have a dilemma with the fact that an eternal resting place have been messed up so much), the question that I have always asked; where is Seti I belongings. I suspect much of his belongings were made in alabaster if possible, because of his sarcophagi (coffin).

Tutankhamen seems to have followed his father and stepmothers use of material, which was mostly gold, the direct connection to Atum and the Sun.

I have the personal opinion that this beautiful relic the wishing cup, most probably belonged to the Pharaoh (king) Seti I.

And I see it as a ceremonial chalice that was used in the temple of Abydos. In my mind the cup looks almost perfectly made for the Blue Lotus drink, those colors would have bounced off each other.



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Wishing Cup from Tutankhamen's tomb - Post
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Wishing Cup from Tutankhamen's tomb

By: Photographed In: Karima Lachtane, ancient Egypt Date Uploaded: 2012-04-24 Description: The cup is really a perfect representation of what the object stands for, and it might prove to come from another place...

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By Karima Lachtane

Mysterious False Door at Cairo Museum

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★★★★★★ Inside the great Cairo Museums stands a very peculiar object, with a strange writing upon it...

Updated 15.09.2013
In this article You will take another journey, into the long hallways of a gigantic building, that holds over 4000 years old artifacts. 

You will be placed in front of a mysterious looking False Door, and you will be introduced to yet another ancient culture.



The Mysterious Fales Door

What is a False Door?

Tamazight Language

          Riff Tribal Group
          Chleuh Tribal Group
          Touareg Tribal Group

Tamazight Language in Ancient Egypt

WATCH Video Clips!

One day we visited the museum in Cairo, the biggest one in the world (according to my thoughts) :) 

There are so many things from the ancient world, that it would take several months to see them all. 


I had my camera with me and was actually running out of film batt., when 

My eyes suddenly caught something, which was placed on a lower shelf (beneath knee height) some meters away. 

I quickly walked towards it, I could see that it was a false door... But the writing was not ancient Egyptian...
Mysterious writing on a ancient Egyptian false door.

What is a False Door?

These doors are something the ancient Egyptian would use in their tombs, the purpose of these door constructions are for the Ba of the deceased (Ba, a kind of spirit being). 
You could see it as a doorway to a new dimension, the dimension of the soul. A magical door.

what stunned me the most about it, was the writing upon the false door, which did NOT look like the ancient Egyptians at all. 


Tamazight Language

I recognized the alphabet immediately, because I had just been working with this alphabet which comes from the Tamazight language, my fathers people.

As I was studying my fathers roots, I quickly read about their language and alphabet - Tamazight, which comes very close to the writing upon the false door above (again a personal opinion), if not identical.


Tamazight
Above, Tamazight Alphabet
Picture taken by karima

The language is one of the ancient ones still in use in the world today. It belongs to the culture known as the 
Amazigh people, which means 
the Free White Men of North Africa.

Many westerners know this group of people under the name Berber, which for them, is pretty much calling them the N. word (you know what I mean)

The Amazigh people are divided into three main groups in North Africa. Each of these groups speak their own Tamazight language with their own dialect.


Amazigh Symbol

The Mountain Amazigh people
The Riff Tribal group.
 
These two pictures are from the beautiful book Imazighen, written by Margaret Courtney-Clarke

Notice this beautiful elderly woman's facial tattoos, they are a form of identification symbols. This is something that for the Atlas Amazigh people have survived to this day.

The Mountain Amazigh people are known under the name Imazighen.

The Amazigh tribal groups are also very known for their creativity. They tend to live in environments that are very harsh on the body, they are also forced to make everything from nothing. A stick is not just a stick, but can be used for writing, drawing, painting, or even to direct an animal in it's walk. One object can have many uses.

My father has told be that it is a kind of family name for a tribal group.

Note:

Last time that I was in Luxor, Egypt I off course visited a bookstore there as I always do. 
I saw stacks of old pictures taken across North Africa from the beginning of the 19 century, so I just had to look. 

I quickly came upon these two, as you can see on the picture above. These pictures belong to the collection of Lehnert and Landrock.

Now look at the picture below these words, notice the facial tattoo...


The Atlas Mountain Range Amazigh people 
The Chleuh Tribal group.
This group which my fathers also belongs to lives between the Sahara and the Atlas mountains, right in between the two other tribal groups. These tribal groups have always been seen as a minority (?). The older Arabic kingdoms illegalized writing of the Tamazight language, actually jailing people if they wrote it. 
Morocco's new Kingdom is much more attuned to the people of today, and tribal groups are now allowed to write their language, as well as, people are now allowed to be proud of their heritages, which was also illegal in the older kingdoms.


The Blue Amazigh people
Senhadja or Touareg Tribal group.

There are the Blue Amazigh people, which are a black tribal group in the Sahara desert. They are referred to as Blue Amazigh people (in worst case the blue Berbers), people of the north called by this name because they tend to wear blue scarf and clothe, so much so, that their skin can have a beautiful blue shine to it.


In the ancient days of the Egyptians, these tribal groups were both known and admired for their magical skills. Earning the title of magnificent magic makers, even by the ancient Egyptians.



Tamazight Language 

in Ancient Egypt

I took you a little backwards in this cultural story, only to reach the mysterious false door from ancient Egypt. 

Now let me present you with the Amazigh pharaoh, the man that conquered over Israel after the death of the great Solomon.

We have to go back to 900 B.C (before Christ), a place where another kind of revolution had taken place years before. 

The Amazigh was at first used as slaves for the pharaohs, the Egyptian kings would go out and conquer the smaller Amazigh families, drag them back to Egypt, where they would work.

We know this because it is documented on the walls of Karnak, where their Amazigh village names were engraved.

It is very obvious that they could work themselves to a higher position in the Egyptian society, and automatically become free people living among the Egyptians.

This could be where the Amazigh word descended from, in that it means Free white men of North Africa..

Because they were so creative, they were very useful, and knew how to use recourses to their fullest potential. In regards to the Magic, nothing is said, which indicates something by itself...

Amazigh Pharaoh Sheshonq I 900 B.C
The 22nd Dynasty was started by the Amazigh pharaoh Sheshonq I, he was legally married into the royal family and he had earned his way into the heart of the soldier. He was recruited to work as an internal police force, as we still use today.

It is very obvious that the Mysterious false door is from the Amazigh people, because these tribal groups were mixed into the Egyptian culture, because they lived side by side for thousands of years.

The story of Sheshonq I is a remarkable story by itself...


WATCH!
The oldest language in the world. Tifinagh-Tamazight

Famouse Amazigh people through history, This Will Suprise You






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By Karima Lachtane

The Broken stone of Senusret I 1971 - 1926 B.C.

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Senusret I of Ancient Egypt, the Broken Stone

Block of stone on the ground
So many years have pasted since the glory days of these great ancient civilization, and many things still lie in great ruins. Inside and around each temple, so many objects are still lying around waiting for their placement in the ancient hierarchy. This is one of such engraved stones which is waiting.
Again I notice the artistically difference upon different rocks, especially around the so-called Greek temples. It is so easy to see, that once there stood buildings of much older dates.
This object grabbed my attention because it looked much older than the Greek period, and the Horus name, which I have never seen a Greek pharaoh have. Furthermore it was a Granite stone, again I haven't seen such beautiful work on Granite, from the Greeks period.


What can be seen on this engraving is a goddess praising a Horus name of a pharaoh. The Horus name is normal written inside a square called a Serekh (which you can see in the image, with the glow around it). This is probably one of the most ancient of ways to write the pharaohs name, besides this they also have another name written in a cartouche. Well back to this piece.
I looked in all of my books, and I could only find one pharaoh with this Horus name. This pharaoh is known under the name Senusret I, a pharaoh from the 12 Dynasty (which was between 1971 - 1926 B.C. - almost 2000 years before Christ).

I could not identify one of the characters in his name (see red ink on the image above), but I still suspect it to be him, both because of how they easily could change their names (sometimes just some characters in their name), and also because of the quality of the engravings, and then again, on Granite.
The 12 Dynasty is known for its magnificent artistically heights, both the literature and the artefacts of this time period, are truly beautiful.
I think the Goddess in the relief, could be the Lion Goddess Sekhmet or maybe some older version of the Goddess Hathor (Herher).



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By Karima Lachtane

Mystical object Anubis Object

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Mystical object the Anubis Object

A most curious object was found in Tut-ankh-amon's tomb, actually two objects were found. Some call them strange others think that they have an idea of what they might be. -also known as the imiut (/Ami-ut) fetish.

The Anubis Fetish objects found in tutankhamuns tombThe two mysterious objects that were made by gold, and stood in the western part of the corridor of Tut-ankh-amun's tomb, have been speculated over for many years. These objects are also to be found on the walls of ancient Egypt, both in the tombs and upon the temple walls but also in papyrus scrolls.

It is said to be a pied headless bull's stuffed skin fastened to a bare pole, which stands upright in a pot, the bulls tail is rapped around the pole. And that it was Anubis who performed ceremonies with it, dating back to the old kingdom.

Notably is the fact that this object seem to belong to the ceremonies of Osiris; It is often shown near the sitting Osiris, but furthermore is the fact that Osiris was connected to the Bull. Some suspect this skin to belong to the ‘Mnevis’ bull, the bull of Heliopolis. 

The bull skin on the pole is believed to represent the Mother cow that produced the 'Mnevis' cow, also known as the Hesat cow. The Mnevis bull had special markings/characteristics, and was associated with Ra - The Sun God.

The Anubis FetishPersonal Note:
Since almost every gods or goddess scene in ancient Egypt has a religious ceremony behind it, we can pretty easily conclude that it is a ritual object of some sort. The precise function seems to be unknown, but further translation of the reliefs might give some hints.

I have always thought that the scene looked a lot like a 'halal' butchering (A Muslim tradition that cut's the meat in a cleaner fashion), this does not mean that I am right, I just thought of that as the first thing, when I saw the scenes. 

It is clearly to see upon the Papyrus of Anhai and the papyrus of Ani, that blood is dripping from the neck. I am not sure if they really did such a thing or if this is a spiritual representation /only drawn.

But I do not think that they did this to the mother of a chosen bull, it would make no sense with the whole balance theme.

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By Karima Lachtane

The mystical sphere of Dr. Ray Brown

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PART #01

All through our history there have been theories about some sort of ancient and supreme knowledge, even a notion of something from the outside (from outer space). 

Could one of these supreme technologies be illustrated through Dr. Ray Brown’s mystical sphere?
Scroll down to watch video clip
The mystical sphere of Dr. Ray Brown - Picture from Mat Toth's book
In 1970, he and some other professional divers were diving for sunken treasure from old boats, near the Bahamas islands. They were returning to this specific place, because they had found it interesting back in 1968.

What happen next seems as remarkable as the object itself, and should be told through Dr. Ray Brown’s own words;

It was not me that discovered the ancient underwater city, others we have spoken with, had noticed the ruins many years before. As soon as we arrived to the area a violent storm hit us, so we hid around one of the near by islands, until the storm had past. 

Even thou we had lost a lot of our equipments, we decided to dive as soon as the storm had passed. It was very dark in the water. As soon as we came to the area, where we had seen something back in 1968, we saw buildings, even thou it was dark, we could just see the outer lines of buildings. 

We moved the boat backwards and forwards, and everywhere we looked, there were buildings. We chose a place and dropped the Anker, and in an almost panicky mode, we jumped over board. We were five divers, and I was the last man in. 

It is a good idea to swim two and two, especially when diving in remote areas. All the time I could see a pair of swimming fins in front of me, and I struggled to keep up with them. Under one try, to catch up with them, I became too exhausted, so I stopped to rest upon a coral reef. 

I saw the golden sunlight twinkle through the murky water, and realized that the light came out of a pyramid. I just sat there starring at it, because it could simply not be there, and I wished that it did not disappear. 

The sunlight came from the backside of the pyramid, which spread the light in each direction with a glittering effect. It was as thou someone had painted this magnificent picture. 

I thought, ‘If you only had a camera!’ Then I would have been able to capture this moment in time, which was the greatest sight I had ever seen, more beautiful than any sunset which nature had let me see. A Brilliant sight! It had colors and something beautiful about it. 

 As soon as I came to myself, I realized that what I was looking at was concrete. It existed. And instead of just sitting on the coral reef watching it, I swam over there. 

Only a part of the pyramid was sticking out of the sea bottom. I could see around 90 feet of it, judging by the shape it looked like an Egyptian pyramid, and might be even bigger. 

The pyramid had a mirror blank surface. It consisted of stone, very polished stones – A remarkable skilled construction. The polished cover stones were placed so close together, that I do not think a raiser blade could fit in between them. 

We do not understand how people were able to put such beautiful stones together so closely. The stones had sloping edges, they did not fit smoothly together. 

I swam around the top of the pyramid. There were heavy waves, so it was dangerous to be near the top, which I rounded for the third time. On the way down I came across an opening. 

I had not seen this opening before, and I know that I studied the building carefully. I can not explain why the opening wasn’t there before and then suddenly it was there – I am only telling you this as how I remembered it. 

My first thought was: Where there is an opening, there must be a door. I again looked very carefully, but I could not find any. There was only the opening, and no door. 

Nothing that could be opened. Curiosity conquered me, and I swam inside the opening. I passed a hall which was right behind the opening, and then I came to a magnificent room.

The room must have been in the top part of the pyramid, when looking at the whole pyramid. The opening was placed half way down the visible part of the pyramid. 

The room was rectangular with a pyramid shape ceiling. In the ceiling’s top point hang a metallic rod/staff. The rod/staff was around 3 inches thick and looked like gold, but apparently it was a different material than gold. In the middle of the room stood some sort of platform of carved rock, above it was coated with a flat amour like plate with retractable edges. 

Two natural sizes metal hands were placed upon the plate, they were holding a crystal sphere. The rod/staff that hang from the ceiling was pointed directly at the crystal sphere. A polished sharp red stone was attached at the end of the rod/staff. There stood seven huge chairs around the platform, one of the chairs were placed a little big higher, it was placed upon its own stone platform. 

I swam up to the ceiling, and with my feet placed against the ceiling, I tried to pull the rod/staff form its place. I felt very sure that it was gold. The rod/staff would not move an inch. I realized that I needed help to collect this treasure. 

I knew that the other divers only had half of their oxygen left, and they would probably not dive again. So I decided to take something back with me, so I could show the other divers some proof of what I had seen. 

I took out my knife and tried to scratch some material of the rod/staff, but it only broke my knife blade. Even thou my knife were of the hardest material – Harden steel. And there was not a mark on the rod/staff! 

I swam back down towards the chairs and the platform, where I sat down in one of the chairs. They were comfortable to sit in with armrests. After I had rested my thoughts a little bit, I was again drawn to the crystal sphere, which had a radiant bright light coming from it. 

I looked around the room, to see if anything seemed loose which I could take back with me. Because all the time I was thinking: “Is this real? It is so beautiful, that it might be a dream vision.” I grabbed in between the hands, and the crystal sphere moved. It was loose! I took it with me. 

The hands which the crystal sphere was held by had a bronze like color, the palms of the hands were golden like the rod/staff. But they were also black, like it had been burned either by fire or another kind of high energy. 

I was a little bit scared as I removed the sphere. If it could burn the metal, what then might it do to me? I grabbed it and nothing happened. I stopped for a second, a moment of peace. 

And now there was this voice, not polite and very clear. It seemed like the voice came from the building itself, from all sides around me. Like some kind of radio wave, instructing me: “You came and have what you came for. Leave now and never return again”. 

When I came back to the surface and the boat, had every one of the divers, had some similar experience. Each had found some artifact and had brought one thing back with them. 

Some of the artifacts were peculiar looking things, one looking like a calculator with windows, but without the buttons. We never figured out how they worked, or what they might be used for. 

I have since dived in the Bermuda triangle, but never in this area, and I never wish to go back to this place.

The words of Dr. Ray Brown.


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